KOMODO 6K is the latest breakthrough product in RED’s long line of innovative image capture technology. The newest entrant into the RED lineup is a compact and highly powerful cinema camera. It features RED’s cinema grade image quality, color science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario.
The new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range and meets the RED standard of unmatched imagery without any creative or technical compromises. KOMODO also features a built-in Canon RF mount allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount. KOMODO also has a DC IN power port and can also be powered using two Canon BP style batteries.
NOTE: The KOMODO 6K has an adaptable RF lens mount. KOMODO requires a lens mount adapter, i.e. RF to EF, RF to PL, in order to shoot. RF to EF Mechanical Adapter included with camera
KOMODO 6K
SENSOR TYPE | KOMODO™ 19.9 MP Super 35mm Global Shutter CMOS | |||
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EFFECTIVE PIXELS | 6144 x 3240 | |||
SENSOR SIZE | 27.03 mm x 14.26 mm (Diagonal: 30.56mm) | |||
DYNAMIC RANGE | 16+ Stops | |||
MOUNT TYPE | RF mount Accepts Canon RF mount-based lens adaptors for diverse lens choices Supports Canon EF with full electronic communication via compatible Canon RF mount adapters, and supports mechanically operated RF lenses (electronic control of Canon RF lenses not supported at this time) [1] |
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MAX DATA RATES | Up to 280 MB/s using RED Pro CFast or other qualified CFast 2.0 media cards [1] | |||
REDCODE® RAW MAX FRAME RATES | 40 fps at 6K 17:9 (6144 x 3240) 48 fps at 5K 17:9 (5120 x 2700) 60 fps at 4K 17:9 (4096 x 2160) 120 fps at 2K 17:9 (2048 x 1080) |
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PLAYBACK FRAME RATES (PROJECT TIME BASE) | 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions | |||
BEST AVAILABLE REDCODE® SETTINGS | REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 40 fps REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 60 fps REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 120 fps |
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REDCODE® RAW ACQUISITION FORMATS2 |
6K 17:9 (6144 x 3240), 2.4:1 and 16:9 5K 17:9 (5120 x 2700) 4K 17:9 (4096 x 2160) 2K 17:9 (2048 x 1080) |
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APPLE PRORES | 4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps 2K (2048 × 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps |
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CONSTRUCTION | Aluminum Alloy | |||
WEIGHT | 2.10 lbs (without body cap and Cfast card) | |||
BATTERY TYPE | Two slots for BP-9XX series batteries | |||
DC POWER INPUT | +7 to +17 V DC via the integrated 2-pin DC-IN port | |||
Operating Temperature | 0°C to 40°C (32°F to 104°F) | |||
STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) | |||
STORAGE RELATIVE HUMIDITY | 0% to 85% non-condensing | |||
COLOR MANAGEMENT | Image Processing Pipeline 2 (IPP2) Supports 33×33×33 3D LUTs Supports import of CDLs |
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AUDIO | Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz Additional dual channel via integrated 3.5mm audio jack, uncompressed, 24-bit 48 kHz |
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REMOTE CONTROL | WiFi for camera control via interchangeable antenna with SMA connection Genlock, Timecode-in, GPIO and Ctrl (RS232) via the integrated 9-pin EXT Port Wired control via KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing camera control and live MJPEG preview video feed |
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MONITOR OUTPUTS | Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
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MONITOR OPTIONS | Integrated 2.9″ 1440×1440 touchscreen LCD with preview and camera control Wireless live preview video feed via 2.4Ghz/5Ghz WiFi for framing |
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RED CONTROL | Access full camera controls and live preview from iOS or Android devices. Available from the Apple App Store and Google Play Store (coming soon). RED Control works wirelessly or wired via the KOMODO Link Adaptor (sold separeately). |
Tech specs reflect both current and projected information. Everything is subject to change.
KOMODO 6K BODY
AC Power Adaptor 45W
Mini World Travel Adaptor Kit
RED Logo Sticker
KOMODO Information Card (incl. registration and support info)
Box with plastic / foam (standard minimalist markings)
RF to EF Mechanical Adapter
1 Year Standard Warranty
Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts.
Netflix prefers that you use the following settings when using this camera: 6K (6144×3240) in REDCODE RAW (HQ or MQ). This camera has also been approved for anamorphic capture.
How many Mbps is RED KOMODO 6K?
The RED KOMODO 6K camera is RED Digital Cinema’s entry-level level camera that features an adaptable RF-style mount and upto 280 Mbps 6K/40p recording to CFast 2.0 media.
The Red Komodo, with a global shutter, is a great action camera and gimbal camera. However, it is good enough to be used in feature films, documentaries and pretty much anything you want to throw at it.
RED is distributed in Australia by Mick’s Gripping P/L
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