gripping

The wooden box is one of the most useful pieces of grip equipment you’ll find on set. They are the ultimate multi-taskers, used for leveling dolly tracks, giving short people a boost, a quick stool for a weary grip, a workbench, a mounting platform, etc. 

Kupo KCP-101 Max Arm with Ratcheted Handle The Max arm is especially designed for lighting, video, film or stills use. The multi-positioning arm with 90° pivoting, 360° rotating ends and a 360° elbow rotation.

Useful as a set prop or behind the scenes to add height when necessary.

Kupo Grip Heads are the strongest in the business! Set it and forget it…plates feature two holes of 3/8″ and 5/8″ diameter that eliminate any confusion.

The Floppy Cutters are square or rectangular frames with mounting pins attached. Used to control natural or artificial light.

AKA Big Ben clamp. The pin can mount into a combo stand to span between two stand as a goal post rig.

These are an ideal item to have in your inventory for anyone working in film and television, weddings and event styling or can simply be used to weigh down lighting, film equipment.

Small dolly, adaptable to track, screw jacks, or rubber wheels. Can support jibs, columns, and seat rings.

Proaim Comet Jib Crane is a professional, lightweight, compact and modular jib arm which provides smooth, vibration free movements in tight, confined spaces. Telescopic arms on both sides make Comet Jib a universal piece of equipment for many shots.

Whether you’re out in the field or inside the studio, the flexibility, power and innovation of Proaim Cineline Heavy-duty Mitchell Dolly gives Cinematographers / filmmakers complete creative freedom.